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Schimmelreiter [Modern German folk song][+English translation]




The Rider on the White Horse (German: Der Schimmelreiter) is a novella by German writer Theodor Storm. It is his last complete work, first published in 1888, the year of his death. The novella is Storm’s best remembered and most widely read work, and considered by many to be his masterpiece.

It has been translated into English under titles The Dykemaster, The Dikegrave, and the most literal, The Rider on the White Horse („Schimmel“ being the German word for a gray or white horse).

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Wenn im Herbst die Nächte rauh sind ,
Und die Friesen alle blau sind,
Taucht der Schimmelreiter auf,
Wie gezwickt von der Tarantel,
Jagt er ohne Hut und Mantel,
Ohne Laut den Deich hinauf.
Unheil folgt dem Geisterschimmel,
Schon verfinstert sich der Himmel,
Und es donnert, blitzt und kracht,
Hauke Haien sucht seine Lieben,
Die, wie er, im Meer geblieben,
Damals in der schlimmen Nacht.

All‘ ihre armen Seelen,
Immer noch in kalten Wehlen,
Hauke Haien fragt sich auch,
Wird mich Elke noch so wollen,
Wird mein blödes Kind mir grollen,
Fliege es in den Holunderstrauch.
Selbst ist er seit Langem knöchern,
Und der Sturm pfeift in den Löchern,
Wächst dem Hein sein fauler Zahn,
Fällt das Riedgras, an dem toten
Reiter wärmt ein Hund die Pfoten,
Winselt seinen Retter an .

Angst bei Ole Peter’s Erben,
Müssen sie noch heute sterben,
In der eisig kalten Flut?
Wird sich Hauke Haien rächen,
Zahlen sie der Väter Zechen,
Oder geht es nochmal gut?
Plötzlich ruft ein Deicharbeiter,
Ohne Hemmung, fast schon heiter,
Wie ein Wilhelm Busch-Gedicht,
„Nu mach ‚mal halblang , Schimmelreiter“,
„Und trag‘ den Klapperesel weiter“,
„Er steht uns’rer Crew im Weg“.

Und schon ist der Spuk gewesen,
Friesen gelb wie die Chinesen,(wohl eine Anspielung auf den sogenannten „Friesen-Nerz“ , eine gelben Regenmantel)
Teils auch grün wie Wirsingkohl,
Können kaum das Wunder fassen,
Und schon heißt es „Hoch die Tassen“,
Schimmelreiter, dir zum Wohl . (letzte Strophe wiederholt)
Schimmelreiter , dir zum Wohl !




  1. Avatar

    Géry CAUET

    08.11.2019 at 22:49

    Servus Dr. Ludwig ! Sehr schön !! Danke sehr !!! :)))

  2. Avatar

    Mathias Retzlik

    08.11.2019 at 22:49

    * Confused Yee Hawing in German *

  3. Avatar


    08.11.2019 at 22:49

    Getting strong Peaky Blinders from this. Would like to see a Peaky Blinders esq German TV show someday.

  4. Avatar

    Feuer Br

    08.11.2019 at 22:49


  5. Avatar

    Warren Lehmkuhle

    08.11.2019 at 22:49

    I was just listing to this on my Google Drive.
    Thank you.

  6. Avatar

    Marc Beaucarny

    08.11.2019 at 22:49

    This song is very cool 🙂 I am bit sick and your videos made feel happy

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Rosalia, Alejandro Sanz Lead Latin Grammy Wins





Ozuna, Bad Bunny, Juanes and Fernandez family shine in performances

Rosalía, the breakout Latin music star of 2019, and fellow Spaniard Alejandro Sanz were the top winners at the 20th edition of the Latin Grammys, taking home three awards each. Rosalia won the all-important Album of the year award and Best contemporary pop vocal album for El Mal Querer, and Best Urban song for “Con Altura,” her collaboration with J Balvin. El Mal Querer also won best engineered album (with wins going to El Guincho and Brian Hernández) and best recording package, translating to five wins for Rosalía. 

“I can’t believe it,” said a euphoric Rosalía. “Truly, Guincho and I did this album in a room with two computers and a keyboard and that’s it.”

Veteran Spanish singer/songwriter Sanz’s three awards included record of the year and best pop song for “Mi Persona Favorita,” his duet with Camila Cabello. And Kany García, Tony Succar, Juan Luis Guerra and Andrés Calamaro followed in wins with two awards each in an evening that was a festive celebration of music where awards seemed to be distributed among many genres and personalities.

The 20th annual awards show was also a socially-conscious affair, with many artists making reference to problems and unrest in their native countries, particularly in their media room interviews, and with the show itself paying homage to a different, perhaps more egalitarian approach to music and music-making. 

The song of the year award, for example, which has typically gone to big legacy or slightly esoteric fare went this year to “Calma,” a good-vibes anthem by Pedro Capó that found global success in its remix with Farruko. 

Instead of having models give the awards onstage, the Latin Grammys were doled out by winners of scholarships given by the Latin Grammy Foundation. 

And artists took a more irreverent approach. Bad Bunny took the stage to collect his best urban music album award for X100PRE dressed in Bermuda shorts and carrying a styrofoam cup (of hot tea, as it turns out; he’s been sick). Fonseca, who won best traditional pop vocal album for Agustín, actually announced what he was singing — as if he were performing at a bar — when he took the stage only with his guitar to perform a tribute to José José. 

And there was a decided passing of the torch in key awards. Aside from Rosalía’s wins as a newcomer, and Capó’s win for song of the year, 20-year-old Christian Nodal won best ranchera album and Tony Succar won producer of the year. In the best new artist category, as ever a hotly-contested affair, the winner was Venezuelan singer Nella, a Berklee grad with a luminous voice who acknowledged that her music “was not commercial” and dedicated her win to “Venezuela and all those like me who come to this country and we’re battling to get ahead.”

The controversy of the lack of reggaetón in the Latin Grammys, which so dominated the conversation at the time of the nominations was virtually inexistent during the award show. Only when Bad Bunny picked up his award, did he address the elephant in the room. 

“Reggaeton is part of Latin culture and it represents Latins just like many other genres do,” he said, then flipped the conversation. “As I tell my friends in the genre, let’s bring genuine things and different things [to the music]. The genre has become all about numbers and views.” 

There were many high points in the evening. In a first-ever moment, ranchera icon Vicente Fernández performed alongside son Alejandro Fernandez — also a star — and grandson Alex Fernández. Hearing the elder Fernández with a voice as potent as ever was breathtaking.

Ozuna, who the night before more than proved his mettle covering Juanes’ “La Camisa Negra” at the person of the year gala, delivered again in a medley of hits that included new song “Hasta Que Salga el Sol.”

And “Cantalo,” the new single by Ricky Martin with Residente and Bad Bunny, was more convincing in this live energized version full of percussion, horns and dancers while Bad Bunny took a gamble performing with a string orchestra. 

Person of the year Juanes performed an emotional and really outstandingly executed medley of hits, beginning with his breakout song, “Fijate Bien,” “A Dios le Pido” (with a full string orchestra) and duets with Alessia Cara (singing totally in Spanish) and Sebastian Yatra. He later was visibly surprised when Lars Ulrich of Metallica showed up to give him his person of the year award, recalling when he had first met Juanes and learned he was a Metallica fan. 

“Tonight, we’ve come full circle: I proclaim myself a Juanes fan. My brother in rock, mi amigo, mi parcero, I’m proud to recognize you as person of the year for the Latin recording Academy,” said Ulrich. 

“One of the reasons I’m making music is because of you guys,” Juanes told Ulrich. “You changed my life, man.” Then he proceeded to thank a long list of people, from his immediate family, to manager Rebeca León to former manager Fernan Martinez. 

While there was fluidity in language — Alicia Keys also performed, for example — the evening was most decidedly an homage to Latin music and to figures past and present in the awards’ two decades, from Celia Cruz to José José, who died this year.

“I say without diversity, there is no Latin Grammys,” said Sanz backstage. 

And overwhelmingly, it was all about music, as gleaned when Rosalía was asked backstage to comment on current political issues. 

“It’s such a delicate topic,” she said. “It would take much, much time and thought. And today, really, I would really like to celebrate music.” 




🚨DEUTSCHRAP ~ NEUE SONGS ➤ 15.11.2019🚨💯 | 🔱MCTV🔱





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2 Schwarz & Weiss – Ufo361
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4 Skifahren – The Cratez
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10 FÜR DIE FAM – Seyed
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12 Niemalsland – Monet192
13 Salut Madame – Casar
14 Trink – Diamant
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16 Mach Mach – BEKA
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18 Ti2ara – 2ara
19 Skimask – Goodg
20 Backstage – DEDO
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27 Smaragd – Kimon
28 Bir Milyon – Mert Gökmen
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Halsey Supports Taylor Swift In Beef With Scooter Braun and Scott Borchetta





Halsey is in TayTay’s corner. 

Hours after Taylor Swift took to social media to accuse Scooter Braun and Scott Borchetta of blocking her from performing her older music, the “Without Me” singer has joined Team Taylor.

“Not only are we looking at an awful business move…but this is just mean. This is punishment. This is hoping to silence her from speaking about things by dangling this over her head,” Halsey writes in her Instagram Stories. 

“These people are protected because they inspire complicity with fear. Banking on the illusion that people will not stand up for her. That the world will say she is over reacting. You’re barking up the wrong tree. It is her grace and patience in these moments that make her Artist of the Decade.”

Halsey drove her point home by posting a clip of herself singing along to “Mean,” vintage Swift from 2010’s Speak Now. 

Earlier, Swift claimed Braun and Borchetta wouldn’t allow her to access her back catalogue for a Netflix special and an upcoming American Music Awards performance, where she will be honored as Artist of the Decade.

In a lengthy social post, she wrote, „I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year.”

Also, she called on her fans to get involved. “Please ask them for help with this. I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote.”

It didn’t take long for help to arrive. A petition started by fan Jade Rossi has raced past 50,000 signatures 

Swift isn’t on best terms with Scooter and Scott. The “Shake It Off” singer had a very public spat with the pair in June with the news of Scooter Braun’s acquisition of Big Machine Label Group, and with it Swift’s six-album catalogue. 

The pop singer has some bad blood with Braun going back several years.

Braun and Borchetta have yet to respond to Taylor’s latest claims.




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