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Hitmaking Songwriters Team Up as Louis York for ‚Don’t You Forget‘: Premiere

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With hit credits for Michael and Janet Jackson, Rihanna, Miley Cyrus, Bruno Mars, Celine Dion, John Legend and a slew of others, Claude Kelly and Chuck Harmony don’t necessarily need to be performers themselves. But the duo’s Louis York — whose new single „Don’t You Forget“ is premiering exclusively below — is something of a calling for the two writer-producers.

„We weren’t chasing to be artists at all. We’re happy to be behind the scenes,“ Harmony tells Billboard. „But the more we did, we started to see and hear all the things that were missing in terms of sound and topics and male voices — singing black men, black American voices. We felt like we were charged to filling the gaps, which is what spurred us to do this. It’s a heart mission more than an ego mission.“

So what were those missing elements? „I think a lot of poetry is missing from songs today,“ says Kelly, who serves as Louis York’s singer. „There’s not a lot of well-thought-out lyricism, which is what I’m obsessed with. I’m a wordsmith and a songwriter at heart; I think people forget that soul music, as well as country music, is all about the story you tell, and that’s been missing for me, big-time.“ Kelly also feels that there’s been a paucity of singers „actually challenging your voice,“ while Harmony has been „just craving arrangements. I feel like we’ve got this generation of people who write on top of beats, and you never feel like the beats and the melodies are intertwined. I think a lot of producers care more about beats and sounds than they do about the song.“

Based in Nashville, Louis York — named after the duo’s hometowns of East St. Louis (Harmony) and New York (Kelly) — has already released an EP trilogy and is planning its first album, The American Griots, to drop Oct. 18. „Don’t You Forget“ reflects an Earth, Wind & Fire flavor that Kelly and Harmony acknowledge as a major influence on Louis York’s sound, and they say it was the last song they came up with for the album, stemming from an idea that came up during rehearsals for live shows.

„We knew where we were, sonically, at that point, but we’re always trying to beat ourselves,“ says Kelly. „We’re hard-wired to write top hit records and with this (song) we wanted to get back to something that was celebratory and big and musically challenging. There’s a big horn breakdown in there that Chuck did, like (Stevie Wonder’s) Songs in the Key of Life — when was the last time you heard that? That’s my favorite part of the song. I’m excited for the world to latch onto that — maybe sample that as opposed to sampling the same thing over and over.“

Kelly and Harmony plan to promote The American Griots with shows during the fall, primarily on the U.S. east and west coasts. And according to Harmony the duo is eyeing a Louis York takeover just in time for the new decade. „If history repeats itself, every decade has a new sound — a new way of composing, new fashions, all of that, so it just opened up the portals of my mindset to the possibilities of what that could be,“ he says. „That’s the point of view from which I produced this record — what would I want 2020 to feel like? The way people are consuming music now, all the genre stuff is kind of gone. It’s about real expression and people finding authenticity in your voice and in your production and your lyrics. I hope people will hear the freedom of expression in that.“





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Former Temptations Singer David Ruffin to Be Honored in Mississippi Hometown

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One Mississippi city promises there will be sunshine on Oct. 26, even if it’s a cloudy day. That’s the day Meridian will honor the late David Ruffin, one of the lead singers of the Motown group The Temptations. He sang the hit “My Girl,” that included that sunny lyric.

The Meridian Star reports the city will add signs ceremonially naming four blocks of a downtown street “David Ruffin Boulevard.” Born in nearby rural Whynot, Ruffin claimed Meridian as home.

Mississippi’s Arts + Entertainment Experience will also place Ruffin’s star on its walk of fame, while Jackson State University’s marching band, the “Sonic Boom of the South,” will lead a parade. LaMont Robinson, head of the National Rhythm & Blues Hall of Fame and Ruffin’s son-in-law, presented the idea to Meridian.






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Jessye Norman: Opera Icon Memorialized at Hometown Funeral

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Jessye Norman’s illustrious opera career and extraordinary artistry was honored at her public funeral. So was Jessye Norman the loyal friend, the humanitarian, the teacher and the person not only celebrated for her golden voice, but for her heart of gold.

Several speakers at Saturday’s four-hour service, from family members to close friends to former colleagues, recalled intimate dinners Norman held at her home — one friend called her cooking “immaculate” — while others told stories about Jessye Norman, the goddess and diva who essentially walked on air. Norman also was recognized as a black pioneer in the arts world who was proud of her Georgia roots and spoke publicly about the challenges she faced in career and called out racism.

The funeral took place in Norman’s hometown of Augusta at the William B. Bell Auditorium. Laurence Fishburne, the Emmy- and Tony-winning actor who was born in Augusta, told the attendees as a struggling young actor looking for inspiration, he looked at photos of great artists, from Miles Davis to Zora Neale Hurston to Duke Ellington to Norman.

“It made me feel connected to something bigger than myself,” Fishburne said, adding that his black-and-white photo of Norman revealed someone energetic, whimsical and vulnerable. “So I am here at the request of Jessye’s family to grieve with you, to say thank you to God for sharing her with us and the world, to celebrate her life, her good words, her accomplishments, and to praise her for using her talents, her gift, her compassion, her intellect to lift all of us up a little higher.”

Fishburne, 58, said he wasn’t a close friend of Norman’s, but said she would visit him when he performed onstage. “I would always, always be incredibly grateful and humbled by her praise, and now I finally understand this feeling I couldn’t describe then. It was something familial about the way that she spoke with me and dealt with me. I felt like she was one of my aunts. And so in fact I have learned since yesterday that in fact she is.”

Norman died Sept. 30 at age 74. The trailblazing performer was one of the rare black singers to attain worldwide stardom in the opera world and her passionate soprano voice won her four Grammy Awards, the National Medal of Arts and the Kennedy Center Honor. Several people spoke passionately onstage as they remembered Norman and honored her life.

Georgetown University sociologist and author Michael Eric Dyson proudly said: ”(Jessye) was black girl magic before the term ever existed. Before there was Oprah and before there was Beyoncé and before there was Michelle Obama, there was Jessye Norman.”

“When she arrived, when she made an entrance, we knew that God had blessed us with a majestic diva,” he continued. “When she spoke it was tremendous. She spoke unafraid and unapologetic about being black in America, yet she attained the summit and the heights of ecstatic proclamation as one of the world’s greatest singers — and yet she never forgot where she came from.”

Clive Gillinson, the executive and artistic director of New York’s Carnegie Hall — where Norman was on the board — called the icon “one of the greatest singers who ever lived, not just of our day”; Norman’s goddaughter, Lydia Saylor, recalled stories of Norman giving her vocal lessons and said her godmother gave her her first job out of college; and Augusta Mayor Hardie Davis Jr. May told the attendees, “May we in the city of Augusta take this day and forever allow it to make us better because of the life of one Augusta daughter.”

Other speakers included civil rights activist Vernon Jordan, childhood friends and Norman’s brother, nephew, goddaughter and niece-in-law. Performers included Metropolitan Opera mezzo soprano J’Nai Bridges, jazz trombonist Wycliffe Gordon, musical director and arranger Damien Sneed and the glee clubs at Morehouse College and Spelman College. Students of the Jessye Norman School of the Arts, which Norman founded in 2003 in Augusta to provide a free fine arts education to disadvantaged children, sang Paul Simon’s “Bridge Over Troubled Water” at the service, which was livestreamed.

Norman was a wide-ranging performer who knew no limits. She sang at such revered houses as La Scala and the Metropolitan Opera, performing title roles in works like CarmenAida and more. She sang the works of Wagner, but was not limited to opera or classical music, performing songs by Duke Ellington and others as well. In an interview she profoundly said, “Pigeonholing is only interesting to pigeons.”

Norman was born on Sept. 15, 1945, in Augusta in segregationist times. She studied at Howard University, the Peabody Conservatory and the University of Michigan. She made her operatic debut in 1969 in Berlin, wowing audiences on stages in Milan, London and New York thanks to her shining vocals, no matter the language. The New York Times described her voice as “a grand mansion of sound.”

In 1997, at age 52, Norman became the youngest person ever to earn the Kennedy Center Honor in the organization’s 20-year history at the time. She received her National Medal of Arts from then-President Barack Obama and has earned honorary doctorates from a number of prestigious schools, including Juilliard, Harvard and Yale.

Hundreds paid their respects to Norman during visitation Thursday and Friday at Mt. Calvary Baptist Church and Augusta named a street for her Friday just outside the Jessye Norman School of the Arts.






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